Featured Articles
RECENT HIGHLIGHTS
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Salt of the Earth
Our own production, Salt of the Earth - about the South Australian man who invented Chicken Salt - recently had its world premiere at the Adelaide Film Festival!
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The Aegean
Our debut feature film, The Aegean, just premiered at Brisbane International Film Festival and the Greek Film Festival in Australia! Find out more about the film and its release plans for 2025!
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Elise McCredie
We sit down with Elise McCredie, the showrunner and writer behind Stateless and the upcoming Disney+ series The Clearing, for a wide-ranging discussion ahead of her panel presentation at Screen Forever this May.
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Conclave Review
Conclave is shaping up to be one of the strongest movies of this year! We caught an early screening of it, so check out our review before it hits cinemas this January!
Godzilla Vs Kong
Godzilla Vs Kong is a disappointing romp.
French Exit
French Exit is unapologetically niche, but undeniably a gorgeous, hilarious and engaging piece of cinema.
Tom and Jerry
It’s a no from me dog.
Miss
Miss (2020), presented as part of the Alliance Francaise French Film Festival, aptly explores the social construct and spectrum that is gender identity.
Always Amber
Always Amber is a refreshing and realistic take on self-expression, identity and the turmoils of being a teenager.
Cosmic Sin
This movie sucks. It is utterly unwatchable, and truly a crime against cinema. I hated watching it, I hated reviewing it, and I would hate for you to have to suffer through it too. Stay away from this in any capacity.
La Daronne
La Daronne is an oddly light-hearted take on this material, but it’s also perfectly fun to watch.
Crisis
Crisis is fine - but unremarkable.
Boss Level
Boss Level is perfect for what it intends to be. An incredibly fun, funny and action-packed time at the cinema.
Judas and the Black Messiah
This is unmissable cinema. Run don't walk to catch this in the cinema.
The Food Club
You’ll feel the constraints of the budget, but you’ll also feel a tiny pull on your heartstrings.
The Little Things
The Little Things fills its runtime with beautiful cinematography, some great performance work and a desire to subvert expectations, but all up it feels much like the justice achieved by these detectives - workable, but dissatisfying.
2067
2067 is a bitter disappointment.
High Ground
High Ground is a tense Australian western, that does a great job of engrossing you in a violent colonial story that needs telling.
Penguin Bloom
Seriously, Watts’ performance alone is worth the price of admission.
Monster Hunter
The anti-Tenet, this plotless movie is aggressively dumb.
My Salinger Year
My Salinger Year makes you hate movies. Just remember - they’re not all like this.
The Dry
The Dry isn’t changing the face of cinema - it’s doing what we’ve seen before, just really, really well. For fans of the genre, or even for fans of big budget cinema in general, this is a must see.
The Witches
The Witches is a bit of a mess, but the bright spots are just enough to paper over the dull ones.
Promising Young Woman
The problem with Promising Young Woman, is that it can’t decide which lane it’s in, switching from phycological thriller to charming rom-com on a dime, leaving the viewer feeling disoriented and confused.
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It’s certainly an odd choice to make a documentary on Pharrell Williams in LEGO, and it’s one that has both pros and cons.