Don’t Look Up isn’t funny enough to make a mark, and is too heavy-handed with its political satire to be truly enjoyable.

Sing 2 loses the thread with some of its existing characters, but replaces it with a tale of heart, mourning and moving on that is really beautiful.

Best Sellers is an easy, enjoyable watch.

Gobsmacking in its ambition, and while it doesn’t always hit, when it does it packs a helluva punch.

Dear Evan Hansen is perfectly adequate, but fails to excel.

The Power Of The Dog is a powerful film.

The Card Counter is about as fun as counting cards by yourself in the dark.

Great entertainment for this holiday season, but unlikely to be remembered by next.

The greatest movie of the decade.

This character, and these performers, deserve better.

A gorgeous piece of filmmaking that focuses on the people in this piece, rather than the fighting and setpieces.

Blue Bayou defies the more gratuitous indulgences of its filmmaking team to capitalise on some great performances, and break your heart with a deeply affecting story.

Sparkling: The Story of Champagne is a baffling documentary that jumps all over the place. For those interested in champagne, this will be tolerable, but one imagines for a general audience this is best reserved for when it debuts on Sunday arvo television.

Passing is slow, and could be a tough to engage with streaming film, but those who make it through will reap the rewards of a stunningly beautiful, and well acted, drama.

Last Night In Soho is a joy; thrilling, exciting, beautiful and, ultimately, the sort of movie you’ll think on fondly for weeks after leaving the theatre.

Zola, while not really having anything to say other than portraying an amazing real life story, nevertheless is an engaging piece of cinema, that will keep you upbeat and have you recounting some of the more wild moments with your fellow moviegoers after the film.

There’s a lot to love about Ron’s Gone Wrong, and you can’t go wrong taking your kids to the theatre to see it.