Featured Articles
RECENT HIGHLIGHTS
-
Salt of the Earth
Our own production, Salt of the Earth - about the South Australian man who invented Chicken Salt - recently had its world premiere at the Adelaide Film Festival!
-
The Aegean
Our debut feature film, The Aegean, just premiered at Brisbane International Film Festival and the Greek Film Festival in Australia! Find out more about the film and its release plans for 2025!
-
Elise McCredie
We sit down with Elise McCredie, the showrunner and writer behind Stateless and the upcoming Disney+ series The Clearing, for a wide-ranging discussion ahead of her panel presentation at Screen Forever this May.
-
Conclave Review
Conclave is shaping up to be one of the strongest movies of this year! We caught an early screening of it, so check out our review before it hits cinemas this January!
The Food Club
You’ll feel the constraints of the budget, but you’ll also feel a tiny pull on your heartstrings.
The Little Things
The Little Things fills its runtime with beautiful cinematography, some great performance work and a desire to subvert expectations, but all up it feels much like the justice achieved by these detectives - workable, but dissatisfying.
2067
2067 is a bitter disappointment.
High Ground
High Ground is a tense Australian western, that does a great job of engrossing you in a violent colonial story that needs telling.
Penguin Bloom
Seriously, Watts’ performance alone is worth the price of admission.
Monster Hunter
The anti-Tenet, this plotless movie is aggressively dumb.
My Salinger Year
My Salinger Year makes you hate movies. Just remember - they’re not all like this.
The Dry
The Dry isn’t changing the face of cinema - it’s doing what we’ve seen before, just really, really well. For fans of the genre, or even for fans of big budget cinema in general, this is a must see.
The Witches
The Witches is a bit of a mess, but the bright spots are just enough to paper over the dull ones.
Promising Young Woman
The problem with Promising Young Woman, is that it can’t decide which lane it’s in, switching from phycological thriller to charming rom-com on a dime, leaving the viewer feeling disoriented and confused.
One Night
A film that feels personal, almost gritty even in its emotional honesty, One Night is a drama worth the watch.
Tsukiji Wonderland
All in all, Tsukiji Wonderland is a highly enjoyable feature which does well to spur interest in an international landmark.
Takeshi Yashiro Shorts
Watching these short films was a delight and the collective magic of the productions makes insignificant the small imperfections.
Wonder Woman 1984
WW84 is pretty disappointing - a surface level plot, barely held together. For a character who was holding up the DCEU, one expected better. Instead, we’ll have to settle for yet another star turn from Pedro Pascal.
Happiest Season
This is a worthy addition to the Christmas movie pantheon, but its ending rings hollow due to the subverted character arcs.
Misbehaviour
In the end, girls just want to have fun … damental human rights.
Let Him Go
Let Him Go isn’t a film you’re likely to let go for quite some time. It stays with you long after you leave the cinema - that weirdly enjoyable, oddly engaging movie that dealt with grief, heartbreak, and loss, along with a healthy dose of gruff action and drama.
Fatman
In the end, Fatman is a convoluted mess, and a disappointment in that it never reaches its true potential. At the same time, however, it would be a lie to say this wasn’t a fun and bonkers watch.
Summerland
Summerland isn’t breaking any boundaries, but it is a movie you can sink into with ease.
Ammonite
Ammonite needed more to say, but what a beautiful way to have said what it did.
Subscribe to our newsletter.
Sign up with your email address to receive news, updates and competitions.