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RECENT HIGHLIGHTS

  • Salt of the Earth

    Our own production, Salt of the Earth - about the South Australian man who invented Chicken Salt - recently had its world premiere at the Adelaide Film Festival!

  • The Aegean

    Our debut feature film, The Aegean, just premiered at Brisbane International Film Festival and the Greek Film Festival in Australia! Find out more about the film and its release plans for 2025!

  • Elise McCredie

    We sit down with Elise McCredie, the showrunner and writer behind Stateless and the upcoming Disney+ series The Clearing, for a wide-ranging discussion ahead of her panel presentation at Screen Forever this May.

  • Conclave Review

    Conclave is shaping up to be one of the strongest movies of this year! We caught an early screening of it, so check out our review before it hits cinemas this January!

Knock At The Cabin Review
Reviews Jacob Richardson Reviews Jacob Richardson

Knock At The Cabin Review

This taut thriller eschews a lot of the more violent tropes in favor of its intriguing premise, but wraps everything in a religious gauze that feels odd and, at times, contrived.

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Spoiler Alert Review
Reviews Jacob Richardson Reviews Jacob Richardson

Spoiler Alert Review

Spoiler Alert is one of the most beautiful, heartbreaking romances you will ever see, and is a must see for anyone interested in having a real experience in the cinema. 

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True Spirit Review
Reviews Jacob Richardson Reviews Jacob Richardson

True Spirit Review

True Spirit nails the ‘true’, but lacks the ‘spirit’ to make its viewing anything other than inoffensive time passing.

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Babylon Review
Reviews Jacob Richardson Reviews Jacob Richardson

Babylon Review

Babylon is disappointing all the more so for the glimpses of brilliance. Amongst this debaucherous, gratuitous, diabolical tale of early Hollywood in an age of change, there are true diamonds to be found - but also plenty of coal.

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The Fabelmans
Reviews Jacob Richardson Reviews Jacob Richardson

The Fabelmans

The Fabelmans is perfectly fine, and there are some nice moments. But for the most part, this is a middling family drama piece that does little to stand apart from a crowded field. The Oscar buzz is baffling, and frankly wouldn’t exist without the director’s name attached to the piece.

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The Menu Review
Reviews Jacob Richardson Reviews Jacob Richardson

The Menu Review

Delectable satire melds the salivating cinematography of Chef’s Table with the thrill of Midsommar and the satirical comedy stylings of Bodies, Bodies, Bodies. 

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