It’s certainly an odd choice to make a documentary on Pharrell Williams in LEGO, and it’s one that has both pros and cons.

Conclave is a thrilling, engaging and unmissable exploration of hubris, desire, and selfishness in the face of a public crying out for leadership that demands more. It’s gorgeously made, terrifically well performed, and wonderfully nuanced. This is an unmistakably masterful piece of cinema.

A serviceable match, but ultimately there’s no ace in this interesting documentary that breaks no new ground.

This snapshot of Lee Miller’s life is curiously unaffecting at times, but certainly has elements to keep you interested.

Alongside a manic turn from James McAvoy, Speak No Evil (a remake of a Danish original) brings the tense scares, but sidesteps much of the more ‘out there’ elements of its predecessor. 

Suitably zany, but remarkably overcrowded, Beetlejuice Beetlejuice is a good bit of late-80’s fun stuffed full with Netflix-level teenage angst.

A relatively self-contained biopic about a man who has taken on increasing relevance in the last few months, Hinckley: I Shot The President respectfully dives into the mistake of a lifetime for the titular shooter, while asking the question; what does forgiveness mean?

A uniquely romance mired amidst a relatively tightrope-walking depiction of domestic violence, It Ends With Us is, if anything, a star vehicle for the fantastic Blake Lively.

This hard-rocking, fist-pumping, cheese-filled actioner takes itself a little too seriously and a little too sciency to truly be great, but whenever Glen Powell is on screen, it feels like it has the energy to fight a twister with its bare knuckles.

A middling entry in an already middling franchise, more of the same isn’t always a bad thing. If you like Gru, and you like minions, you’ll like this repeat order.

The addition of new emotions is fun, but this sequel fails to capture the magic of the first. 

There’s not a rough edge in sight here, but despite its sheen, caricature character and polish, Bad Boys: Ride or Die still manages to capture enough of the magic to be a blast. 

Delia’s Gone is threadbare as a mystery, but excels when Budreau leans into the arthouse meditative nature of his work and Stephan James’ wonderful performance.

IF is saccharine and perhaps a bit mistargeted, but ultimately beautiful, fun and enjoyable.

The Apes franchise is resurrected with this new installment; albeit barely.

This fast, funny, action-packed rom-com is a breath of fresh air, but not likely to stay with you for a long time.

One of the best movies of this century, Dune: Part Two never fails to impress. If you have to crawl across the burning sands of Arrakis to see this film, do it - you won’t be disappointed.